New Pathways into Quilt History written by Kimberly Wulfert,
www.antiquequiltdating.com
1884 New Orleans Exposition (aka Cotton Fair) sold the pattern for the Rose
Quilt,
and shown at the 1902 St. Louis World's Fair
Stitching the
Journey of the McHaney Rose Mosaic Quilt:
1889 to 2008 by Lenn Jackson
The Most Remarkable Quilt - Progress, April 14, 1911
"Reference to a notable quilt in another place in this issue, makes us recall
the most remarkable piece of
work
of that kind that ever came under our observation. We refer to the quilt made by
the late Mrs. Louise McHaney, widow of W.C. McHaney and on request, Mrs. J.M.
Taylor has furnished us some facts in regard to the wonderful piece of work done
by her mother at the age of 69 years. Afterward, and without glasses, Mrs.
McHaney did, with her own hands, a lot of lace work, the like of which was never
done by any other person in this country. It was called "The Rose Quilt" and
contained 12,772 pieces. The number of stitches taken in piecing the quilt was
625,828; stitches in quilting, 178,808; total stitches, 804,636. The time
consumed by Mrs. McHaney in making the Rose Quilt was 12 months and 12 days.
Mrs. McHaney did this wonderful piece of work complete from a cardboard pattern
brought here from the New Orleans Exposition [1884] and as its name implies, it
represents a bouquet of roses." (Courtesy of Brenda Fiddler)
Lexington, Tennessee – the Journey Begins in 1889
In March of 2001, I was visiting my mother, Millie Bomar in Tuscaloosa, AL.
Mother’s sister, Mary Helen, was there as well. We were looking at this old
quilt that my
mom had inherited many years before. Mary Helen’s daughter, Jenny, is a talented
quilter, so I suggested that she take it with her to Virginia and show it to
Jenny. As the
oldest daughter, I was to inherit the quilt on my mother’s death. My mom agreed
that it
would be nice for Jenny to get a good look
at it, and her quilting friends would
also
appreciate seeing this “work of art”. Mary Helen and Jenny have enjoyed showing
off
the quilt. It has been to several antique shows and events in the DC area. Mary
Helen
said people began to call her the “quilt lady”.
Here is the history, as I know it, of the McHaney Rose Mosaic Quilt:
The family quilt is known to have been made by Louisa Henry McHaney, 1821 –
1905. The quilt is a postage stamp quilt, so named because the numerous pieces
were the
very small size of postage stamps, 5/8”. The quilt is worked in colors of brown
for the
background, blue, green, pink, red, and yellow for the leaves and flowers. This
quilt
contains 12,772 pieces and a total of 804,636 stitches as counted by the maker’s
husband, William Crutchfield McHaney. It was made when Mrs. McHaney was 69 years
old and it took 12 months and 12 days to complete. It was shown in the 1904 St.
Louis World’s Fair and at the Marshall Fields Department Store in Chicago. The
bouquet of roses, was copied from a pattern that she saw in New Orleans at the
1884 Cotton Exposition.
The
quilt is passed down to the oldest daughter in our family. Since my great
granddaddy had 7 daughters, I suppose he decided to leave it to the oldest. My
grandmother, Louise Henry McHaney Moore (Lenn Howard) passed it to my mother,
Mildred Moore Bomar (John Ben), who passed it to me, Lenn Bomar Jackson (Charles
J). It would naturally go to my daughter, Karen Jackson Blair (Adam), but we
have
decided to donate it to a museum so that others can enjoy this unique work of
art.
Louisa Smith Henry and William Crutchfield McHaney had 12 children. They
were: Molly, Mattie, Cornelius Felix, Caroline, John Creed, Amanda L (Mrs. J M
Taylor), Mary S Wood (Levi), Elizabeth Lawler (William T) , Nannie L, Ada Celese,
Jefferson Davis, and Henry Arthur (my grandmother’s father).
We would love to find other quilts made by her or her family. We also would like
to know where she saw the pattern in New Orleans – was it a quilt or some
needlework?
We know there are relatives still in Tennessee, Arkansas, and Missouri. Maybe
they will
read this article and shed some light. Since I have just received the quilt, I
am beginning
to put together its journey one stitch at a time.